One of the background noises of my childhood was the sound my father made when he was practicing bowling in the living room.
Pop came to bowling late in life, not until he was in his forties, and I always suspected that he could have gone professional if he had started earlier. For a long while, he carried a 220 average in a league at Leemark Lanes in Brooklyn, and he once bowled a nearly-perfect 295 game: eleven strikes in a row and five pins on a last ball that he told me "felt so heavy" in that final frame.
Bowling was his passion; he would play twice-weekly when he was working and daily on vacation and after he retired. In between visits to the alley, he would practice in the living room. I could sit and watch him, so focused on his task, and he wouldn't even notice me. He would sit in his rocking chair, reading a dog-eared copy of one of his bowling manuals or one of his clippings of the bowling column from the sports section of the Daily News - "Don't Twist at Target," "Fine Bowlers Study Lanes," or "Bend Knee to Brake." After a while, he would close the book, set it down on the carpet, and pick up his ball.
With a look of concentration on his face, he would step to the center of the room and practice his footwork, making a classic four-step approach in his slippers - swish, swish, swish - and moving through his backswing and downswing, not releasing the ball, of course, but letting it drop into his left hand - slap! - his muscled butcher's arms easily handling the weight as he worked to refine his technique.
After one approach or several, he would set the ball down again, return to his chair, pick the book, and open it once more. My father was not a formally educated man, progressing no further than grade school, but he believed in books and their power, and his bowling manuals were as important to his game as the rasp he used to smooth the finger holes in his ball. I am sure that there were sections of his manuals that he had read dozens of times, reading and experimenting and refining and improving his game. Bowling and reading about bowling; he did a lot of both.
I've bowled a bit in my day, but have never made it the avocation that my father did; and as a fellow who ended up a college English instructor, books and education have been a big part of my life for a long time. In some ways, I am nothing like my father; but sometimes...
We have begun some role-playing games again with a small group of friends, and I have been game-mastering some of the sessions. This requires me to set up a scenario that will provide the players with both an opportunity to create a shared narrative and some sort of challenge for them to overcome, all within the constraints of the game mechanics and rules. So, I sit and write, sketching out the non-player characters and trying to build a believable and engaging world.
And when something doesn't seem to be working out, or I have an idea I think would improve a puzzle, I find myself putting down my stuff, walking over to pick up my game manual, and sitting down to read it again. I am sure that there are sections of the manual that I have read a dozen times. Then I go back to my work, refining and improving it.
My father would not have had any resonance with something like RPGs; he was much more practical and did not have much truck with the world of fantasy. But I think he would have recognized the value of the manual and the relationship between my reading the book and accomplishing my task. And I'd like to flatter myself by thinking that I might look a little bit like him as I sit in my chair, a dog-eared volume in my lap and a look of concentration on my face, trying to get better at doing something I care about.
Better Bowling by Joe Wilman sits in my bookshelf, tape-mended spine, yellowed clippings, and all. The trophy that Leemark Lanes issued for Pop's 295 game went into his casket.
Saturday, September 26, 2009
Wednesday, September 9, 2009
The best part of waking up
As I sit in here in the quiet watching the skies lighten, as I have done scores of times in the past, it is time for a confession of sorts. My beverage of choice for times such as this, and for just about any morning, has lately been instant coffee.
I know, I know; in the context of the Pacific Northwest coffee culture, this is heresy. We're supposed to obsess over which side of the hill our beans were grown on, and order our espresso drinks with a stream of qualifiers as long as an Elizabethan sonnet, and know the difference between grande and vente as well as ristretto and lungo, and so on. I can play in that sandbox when I have to, but usually I choose not to. I don't know if it was growing up with burnt percolator coffee ever-present on the stovetop, or coming of age in a New York that only distinguished between "regular" and "black" in coffee ordering, or just having too many graveyard cups of 7-Eleven and Circle-K coffee as a cop, or maybe just having unrefined taste overall, but I've never been able to get too excited over coffee.
Many people out here just don't get instant coffee. Perhaps the kindest thing a friend has said about this penchant of mine was "Well, I guess if you consider it a completely different beverage, you could get used to the taste." So, in an attempt to make instant coffee more relatable to the prevailing attitude, here's a short course in becoming an instant instant coffee snob.
Starbucks: The big green machine has been pushing its little tubular packets of instant coffee furiously of late. I tried a fee sample we picked up and liked it better than the regular brew that the chain serves - it had less of that burnt flavor that many people complain about. And one of the weirdest things I have seen was a commuter cup that had slots to hold several of the little tubes - I guess that no matter where you are, you just cadge some hot water and Bob's your uncle. I could drink this stuff regularly, except I try not to redistribute any of my resources to Starbucks.
Folger's: This is a nice, steady, mainstream instant coffee. It's a little on the thin side when it comes to flavor; it never really gets bitter, but isn't ever that robust. The smaller size still comes in a glass jar, so that's cool.
Trader Joe's: A rare miss for our favorite funky foodstore. Their instant coffee is nondescript in flavor and has an oily film on top, no matter the proportions of milk and water. Give this a pass, even though it is in a cool glass jar.
Kona coffee: Otis has brought me back two types of instant 100% Kona coffee from Hawaii: Ukulele Melody from Hawaiian Brew and Gourmet Blend by Mulvadi. Both of them come in nice little hexagonal glass jars, and each has the nice, round, earthy flavor of Kona. The Ukulele can tend to some bitterness more so than the Mulvadi, and neither mixes as well with cream as the local brands.
Nescafé Clásico: The ne plus ultra of instant coffee. You can tell it's classy because not only are there two diacritical marks in the name, the jar has a really cool shape and the label is written primarily in Spanish, with some English subtitles. It actually has a rich, full flavor, and no bitterness at all, and creates a creamy drink when combined with half-and-half. I guess jillions of people worldwide drink this, even in those fancy European countries that we think we are copying with all this coffee-drink business we have going on. And it's what I'm drinking right now.
So, pick your poison. For some, it's a grande two-pump vanilla non-fat extra-hot latte. For me, it's a cuppa. Just relax and enjoy.
I know, I know; in the context of the Pacific Northwest coffee culture, this is heresy. We're supposed to obsess over which side of the hill our beans were grown on, and order our espresso drinks with a stream of qualifiers as long as an Elizabethan sonnet, and know the difference between grande and vente as well as ristretto and lungo, and so on. I can play in that sandbox when I have to, but usually I choose not to. I don't know if it was growing up with burnt percolator coffee ever-present on the stovetop, or coming of age in a New York that only distinguished between "regular" and "black" in coffee ordering, or just having too many graveyard cups of 7-Eleven and Circle-K coffee as a cop, or maybe just having unrefined taste overall, but I've never been able to get too excited over coffee.
Many people out here just don't get instant coffee. Perhaps the kindest thing a friend has said about this penchant of mine was "Well, I guess if you consider it a completely different beverage, you could get used to the taste." So, in an attempt to make instant coffee more relatable to the prevailing attitude, here's a short course in becoming an instant instant coffee snob.
Starbucks: The big green machine has been pushing its little tubular packets of instant coffee furiously of late. I tried a fee sample we picked up and liked it better than the regular brew that the chain serves - it had less of that burnt flavor that many people complain about. And one of the weirdest things I have seen was a commuter cup that had slots to hold several of the little tubes - I guess that no matter where you are, you just cadge some hot water and Bob's your uncle. I could drink this stuff regularly, except I try not to redistribute any of my resources to Starbucks.
Folger's: This is a nice, steady, mainstream instant coffee. It's a little on the thin side when it comes to flavor; it never really gets bitter, but isn't ever that robust. The smaller size still comes in a glass jar, so that's cool.
Trader Joe's: A rare miss for our favorite funky foodstore. Their instant coffee is nondescript in flavor and has an oily film on top, no matter the proportions of milk and water. Give this a pass, even though it is in a cool glass jar.
Kona coffee: Otis has brought me back two types of instant 100% Kona coffee from Hawaii: Ukulele Melody from Hawaiian Brew and Gourmet Blend by Mulvadi. Both of them come in nice little hexagonal glass jars, and each has the nice, round, earthy flavor of Kona. The Ukulele can tend to some bitterness more so than the Mulvadi, and neither mixes as well with cream as the local brands.
Nescafé Clásico: The ne plus ultra of instant coffee. You can tell it's classy because not only are there two diacritical marks in the name, the jar has a really cool shape and the label is written primarily in Spanish, with some English subtitles. It actually has a rich, full flavor, and no bitterness at all, and creates a creamy drink when combined with half-and-half. I guess jillions of people worldwide drink this, even in those fancy European countries that we think we are copying with all this coffee-drink business we have going on. And it's what I'm drinking right now.
So, pick your poison. For some, it's a grande two-pump vanilla non-fat extra-hot latte. For me, it's a cuppa. Just relax and enjoy.
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